by Laurence Worms - Ash Rare Books
Another crowd-pleaser of an exhibition at the British Library: 250 years since the publication of Horace Walpole’s The Castle of Otranto, so a convenient enough excuse, as if one were needed, to celebrate 250 years of the gothic imagination, not just in literature, but in art, architecture, film, fashion and music.
Horace Walpole. Portrait by John Giles Eccardt, 1754. © National Portrait Gallery, London. Horace Walpole in 1754 with his hand on a volume from his library and the Gothicised Strawberry Hill in the background.
The first edition of Otranto, although dated 1765, appeared late in 1764. It was only with the second edition that Walpole admitted his authorship and the “gothic story” sub-title was added. Despite his own verdict that the novel was “fit for nothing but the age in which it was written”, nothing was ever quite the same again. As the exhibition swoops through time…
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